HALF - Rectifier
EXPECT THE UNEXPECTED Preview: https://youtu.be/TM...
- Type
- Audio Effect
- Author
- FirediesProductions
- Version
- 1.0
- License
- Commercial
- Live version
- 11.0.12
- Max version
- 8.1.11
- Downloads
- 0
- Updated
- 2022-01-09
Description
EXPECT THE UNEXPECTED
Preview:
https://youtu.be/TM4mksjYlPY
Supercharge your sound design!
HALF is designed to split the waveform into positive and negative polarities. From here you can bend each one separately with desired effects and plugins.
Take your sound designs to the next level with this truly unique Max for Live device.
HALF is both a half and full-wave rectifier.
Split your sound into negative and positive polarity.
Inspired by the modular systems approach, this device will help you rediscover new ways of using wave degradation. UTILITY includes DC filter and DC offset control as well as a mini oscilloscope.
You'll get:
-Rectifier Device
-2 Ableton Racks
-Exclusive Ableton Live Theme
Manual:
https://bit.ly/halfmanual
Requirements: Ableton Live 11+ with Max for Live Support
Comments (6)
it is a very paired back utility. There's no reason to save presets, and more than you might grab a utility device and adjust it to your current needs. The grouped devices are really no more complicated. It's two chains with the positive half on the top and the negative half on the bottom. The "utility" preset is only serving as an oscilloscope in order to determine whether the two haves are meeting up, which could only be an issue that I'd predict if your source sound was utilizing a dc offset. This "utility" preset is not necessary. There's a switch to account for this as well. There's a phase inversion. The "filter" preset like the utility is also leaving the wave file intact, it is only removing the DC offset if one exists.
Just reassemble HALF on a per-application basis. It couldn't be easier. Probably easier than trying to find where you saved your presets. This isn't a failing of the device, it's a disconnect on how m4l devices can save presets.
The results are so curious that I would not do it justice describing it. To really test my subjectivity, I'd have to consider whether I could emulate the same results in my sound design with other parallel processes and frequency filtering. This is a unique form of manipulation specific to wave folding. Can you only fold the characteristics impacted by other signal processes? Yes, this is how you would accomplish this.
It's a wonderful option for mixing in tones that retain the original tone center. When effects like reverb might otherwise cause an original signal to retreat from the mix, this is a subtle way of maintaining it's prominence while gaining the color of the effect. It's different than setting dry/wet to 50/50, for example, although you'll pay a bit of a CPU toll in adding instances of this device, it'll be worthwhile if that's the otherworldly result that you want to accomplish.